White Teeth by Zadie Smith
64Between rocks and hard places..
Imagine the world
with no beginning
or end,
imagine,
if you can,
events in the world
happening
repeatedly,
endlessly,
in the way
they always have..
White teeth,
white clouds,
a solid block
of ice
appear untouchable
and yet,
heat
may crack it,
the interaction
creates change...
water for life,
disappears
into a dense fog
of nothingness.
Then
death
brings
its icy cold
breath
into emptiness,
the further interaction
creates change...
to its original form
of
white teeth,
white clouds
a solid
block of ice.
The continuity of life,
a sprawling tale
'...about how we all got here
-from the Caribbean,
from the Indian subcontinents...
and about what
here,
turned out to be.'
(Salman Rushdie)
On the outskirt of London
amid a restless hybrid
of voices,
tones
and textures,
on New Year's morning
of 1975
people are tired
of almost dying,
and yet,
life goes on
with a raucous energy
and confidence.
Archie Jones seals up the windows
of his car
and waits for the exhaust fumes
to fill his lungs,
failed marriage,
and a bag
full of kitchen appliances,
on his lap
this is what divorce is,
taking things you no longer want
from people you no longer love,
but dying is no easy trick...
For 18 years the butcher Mohamed
has been a victim
of serious physical attacks
and robbery,
without fail,
three times a year.
Knifed a total
of five times,
three fingers lost,
broken arms
and legs,
his teeth kicked out
and feet
set on fire.
He was a big man.
He gave as good as he got.
But he was one man
against army,
there was nobody who could help.
“Paki, why don't you go back to your own country?”
The culprits call after him,
teenage thugs and their parents,
the local football team
and mouthy, white-skirted secretaries
in deadly heels,
they are all white,
just like Archie Jones
trying to commit
such an unholy act
while parked
in front of his shop.
“ You must live life
with the full knowledge
that your action will remain.
We are creatures of consequence,
our forbearers knew it,
some day, our children will know it.
They will be born of our actions,
our actions will become their destinies.”
He pulls coughing Archie out of the car
throwing his bag after him.
Clara Bowden,
an unusually tall Jamaican woman,
raised as a Jehovah's Witness
sits in her room
just below street level
with bars on her window
and partial views
of feet,wheels, car exhausts
and swinging umbrellas,
such slight glimpses are often telling,
a lively imagination can squeeze
much pathos out of a frayed lace,
a darned sock,
a low swinging bag
that has seen better days,
its content spilling slowly
in front of her eyes...
She runs out and picks it up,
giving Archie a wide grin
that revealed
possibly
her one imperfection,
a complete lack of teeth
in the top of her mouth.
Archie sees her hither look,
tingled with sadness
and disappointment,
she doesn't have
a great deal
of other options
left,
she is 19 and he is 47.
Six weeks later they are married.
Nine months later
their daughter Irie
is born
as races mix
and bloodlines
half black
half white
watching her parents
through the grey-green eyes of loss.
And she grows
into a teenager
a stranger
in a stranger land,
unwilling to settle
for genetic fate,
waiting
for her transformation
from Jamaican hourglass
heavy
with the sand
to English Rose...
Her father, Archie,
his quiet fear,
his pigeon steps,
her mother
sneering
at his impotent indecision.
Only his friend,
Samad, the Iraqi,
has looked at him
with a great sympathy,
their wartime friendship
severed
by 30 years of separation
across continents,
but in the spring of 1973
a middle aged man
seeking a new life
with his 20-years old
Bangladeshi bride
seeks Archie out.
Archie is surprised,
does he remember him?
Oh yes,
he does...
the kind of friendship
an Englishman makes
on holiday
a friendship that crosses
class and colour
a friendship that survives
because the Englishman assumes
the physical proximity
will not continue,
and yet...
Samad Miah Iqbal is here to stay.
He works
as a waiter
for his younger cousin
in his Indian restaurant,
never seeing the sun,
never seeing his wife,
wanting desperately
to be wearing a sign:
“ I am not a waiter,
I have been a student,
a scientist,
a soldier once,
I have a wife,
we live in East London,
on the wrong side
of High Road,
I am a Muslim,
but Allah has forsaken me
or I have forsaken Allah,
I have a friend, Archie
I am 49
and I have twin sons
Magid and Milat.”
“ All I wanted was
two Muslim boys,”
Sadam said to Archie:
“ You teach them,
they don't listen,
you show them the road
and they take bloody path
to the Inn of Court.
You guide them
and they run away
from your grasp
to a Chester Sport Centre.”
Holding a five years old Magid
by his hand, he continued:
“ But if you could
begin
again,
you could take them
back
to the source of the river,
to the start of the story,
to the homeland...”
And that is
what he does.
One of them
is sent
to Bangladesh
to be raised by relatives
into a proper devout Muslim.
The people of Bangladesh
live under invisible threat
of random disaster
flood,
hurricane,
debris
and mud
everywhere,
but Magid
is not
the only one
who learns to hold
his life lightly.
While he watches
cyclone shaking things
from high places,
Milat on the other side
of the world,
is pushing his luck
along the towering wall
of the cemetery,
pot-smoking.
When Magid
returns
to England,
white-suited,
silly wig lawyer,
more English
than the Englishman,
his brother
becomes
the extremist
of Islamic faction
dedicated
to violent actions
and ridiculed
in the press.
Mr and Mrs Chalfen
have two
successful
scientific jobs
and two
whiter than white
well educated
sons.
This white
middle class
family
is asked
by school
to help
poor
and
disadvantaged...
Irie and Milat
are invited
for a lunch,
The proper lady
of the house
looks at them
the way
she has looked
at her delphinium.
There is damage here.
There is a quiet pain
in the first one,
in the second
there is
a deeper sadness,
a terrible loss,
a gaping wound.
A hole
that needs more,
than education and money,
that needs love.
She longs
to touch
the site
with her green finger,
close the gap,
knit the wound.
But they are foreigners
to her
as she is to them.
On the outskirt of London
amid a restless hybrid
of voices,
tones
and textures,
on New Year's morning
of 1995
people are tired
of almost dying,
and yet,
life goes on
with a raucous energy
and confidence.
Milat and Magid
stands face to face,
a loaded gun
between them.
“Do you really believe
there is a type of man
who kills and a type of man
who doesn't?”
Milat asks his returned twin brother,
“His family threatened,
his beliefs attacked,
his way of life destroyed,
his whole world coming to end,
he will destroy everything
that stays in his way.”
“It has long been my intention
to make the life of my people
easier,
new laws are required
to deal with our unlucky fate.
The English fight fate to the death.”
Magid looks Milat
closely into eyes.
“So we both say, it has to be!”
Milat points his gun at him.
“It doesn't have to be.”
Irie appears from nowhere
and grabs the gun.
“Nothing does.”
Milat steps forward
shading his violet eyes
from a fading hatred
in his heart.
Magid embraces him,
his tensed
high cheekbones
released
in a beautiful smile.
Irie kisses them both.
Their past,
present
and future
is linked
as races mix
and bloodlines,
like attracts like,
the feeling of belonging
nowhere
that comes to people
who belong everywhere.
They are all,
she has got,
they need her,
and she gives herself
to them,
body and soul.
Nine months later
their daughter Beauty
is born
as races mix
and bloodlines
half black
half white
and half brown
watching her parents
respectable Mr and Mrs Chalfen
through the violet eyes of loss,
her high cheekbones released in half smile,
unaware,
that just beyond
the corner,
on the wrong side
of High Road,
one or two,
of her real fathers live.
That is how
Beauty
gets to be
the new 'English Rose'.
That is how
we all get here,
between rocks
and ice
and hard places....
This story has no end,
or does it?
White Teeth by Zadie Smith
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Wonderful hub Beata. Full of gorgeous pictures and inspiring thoughts as always.
You're work is in a word beautiful. Loved the accompanying photos. Out of all the nature scenes those with water make me weak in the knees. Excellent hub, beautifully done, thank you for sharing. Voted up, marked beautiful and interesting.
Beata, This never-ending tale epitomizes Jean-Baptiste Alphonse Karr's famous epigram: plus ça change, plus c'est la même chose("the more it changes, the more it's the same thing"). It is through friction and flow that refinement takes place so different aspects may be highlighted but the essence remains.
Lovely images and imaginative portrayals.
Thank you for sharing.
Awesome Beata. A work of great creativity.
I have to agree with diogenes..this is an extraordinary and compound art piece.
Well done indeed.
Hi what a wonderful hub and one which I am voting up up and away and also bookmarking.
What a gem and one which I am going to tread over and over again.
I am so glad you found me on here because I am going to enjoy getting to know and following you on here.
Take care and enjoy your day my friend.
Eddy.
Beata, reading this was quite emotionally powerful. You summarize the entire novel with only presenting a few scenes, yet you find the essence of almost every major character.
I'm not sure what to characterize this. It's most assuredly original poetry at times as well as plot summary and of course analysis. I think Zadie Smith would be extremely moved to read this. You really do sum up Archie and Clara's odd coupling artfully well.
This was like a highlight real of the most important moments as well as what made them so important: their emotional gravity set within the context of the complications of human relationships and their obligations/concerns with history.
It should be noted at the beginning of your post that there are some serious spoilers concerning Smith's novel in this discussion as the casual reader might not detect the critical nature of this piece and therefore not realize they are reading most of the plot of a book when they may wish to read the book first and then appreciate what you did here.
Your tone and diction are powerful. You take us to emotional places because you go there yourself. Be strong, wise, and kind and take us where your muse leads. That is your job.
Thanks for your kind words on my posts and page. I appreciate you taking the time to do so and the sentiment definitely encourages. I'd be interested in reading more of your critical or creative texts.
Thanks again,
Clark Waggoner
Beata, how lovely that you bring this writer forth! Unbelievable greatness, the real stuff! Love yaz, lily
What beautiful words Beata, and outstanding pictures. Everyone can relate to something in your words thankyou for sharing.
Hearing you explain what exactly you are up to here really does help me understand and appreciate it more.
I am sure I am not alone in this. Often times, we as readers, when we encounter something new to our experience, like I did with your art here, need a clue to help us circumvent the time it normally takes us to acclimate our understanding to fully appreciate the subtlety of a vision like yours.
Discussing your vision as an artist is a fine line and definitively your prerogative (I support any mature inclination on your part to withhold such discussions as all artists fall somewhere on the scale from visionary to pedestrian), but given the approriatory nature of your art, your audience might find a little such discussion useful by way of introduction.
As someone who has written a novel, it'd be supremely, IMHO, satisfying to see someone take it and run with it like you have here. I see now how White Teeth is alive for you, and I am sure (for my part) that Zadie Smith would feel quite honored to know she was the muse for something as alive and tender as this.
Clark
Nice to see you again Beata, a most touching account in poetic style. We all spend so much of our time untangling from our lives all of these webs, that stand in the way of the universal standard of agape love. Cred2
This is wonderful and beautiful about life, thankyou
Beautiful words it really makes you sit back and think. Wonderful pictures as well thaks for sharing.
Hi Beata,
Beautiful and profound. It gives us much to think about. The pictures are breathtaking.
Voted up and away!
Take care
Wow so enthralling. This really was worth the read!
woah.. this is good
Thoroughly captivating piece of work. You tell these stories really well!
Hi Beata, beautiful, interesting and inspiring! Leaves me with lots to think of... Accompanied by amazing photos. Best wishes :-)
I found your hub very emotionally moving - It makes a person think about what it means to live
thanks for sharing this




















diogenes Level 7 Commenter 4 months ago
I'm speechless...an extraordinary work of art.
Bob